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Marla Hlady is a Canadian kinetic and sound artist who works in sculpture and installation. She is a contemporary of Lois Andison, Simone Jones, Diane Landry and Daniel Olson. Hlady's works are generally sculptural works and installations composed of everyday materials activated by electronic and mechanical systems, often reflecting the social systems that created them. Her major works include "Drumming Displaced into Different Sized Jam Jars", a large series of sculpture in the collection of The Art Gallery of Ontario, and "Waltzing Matilda", a kinetic sculpture that has exhibited extensively. She has an MFA in sculpture (York University, 1990) and a BFA (1987) from University of Victoria. ==Artistic career== Hlady first gained notice for her kinetic installation "neutralized feelings of apprehension," at G76 in Toronto, which was enthusiastically reviewed by Kate Taylor of the Globe and Mail. Her solo installation "Beauty" at the Koffler Gallery in Toronto, was curated by John Massier in 1992. After exhibiting her kinetic work "Waltzing Matilda" at Peregrine Gallery, which was reviewed by Gillian MacKay of the Globe and Mail, she had group and solo exhibitions at The Power Plant in Toronto. Her work "Drumming Displaced into Different Sized Jam Jars" was purchased by the Art Gallery of Ontario in 1999. In 2012 she had a major solo exhibition at Hallwalls in Buffalo, New York. 抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Marla Hlady」の詳細全文を読む スポンサード リンク
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